I are teh digital
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un-Touch'd krew
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From: My own level of hell
Originally Posted by yellowbastard
Better body..What else is different once the firmware is upgraded to 10D specs?
The DRebel is a great camera but I just needed to have something that is prepared out of the box and has the features I need without the hack.
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"I'll keep my money, guns and freedom. You can keep the "Change."
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From: Location Location
Originally Posted by redgoober4life
Shooting outdoor pRon eh? 
sorry it's straight pron
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'00 Dakar Bus CRS Edition
LCD Squad #0001
'00 Dakar Bus CRS Edition
LCD Squad #0001
Originally Posted by WiLL
...I really wanna get out and shoot people.
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un-Touch'd krew
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From: My own level of hell
Originally Posted by redgoober4life
Shooting outdoor pRon eh?
No I shoot 4wd events freelance for a magazine and I also do other freelance jobs for race coverage, and local runs as well.
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"I'll keep my money, guns and freedom. You can keep the "Change."
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From: NY
Nice buy, hack the firmware!
You're not the only one around here :chuckles:
Originally Posted by wagon89
I never really cared for Fuji 
h:
h:
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9Y0 Cayenne GTS
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YD4 MDX - SOLD
EG Ferio - SOLD
FA Ferio - Returned
www.NelsonLee.net
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un-Touch'd krew
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From: My own level of hell
Originally Posted by MaxBoosT
Nice buy, hack the firmware!
You're not the only one around here :chuckles:
You're not the only one around here :chuckles:
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"I'll keep my money, guns and freedom. You can keep the "Change."
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Stuff and things.
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From: New York
Originally Posted by Nightshade
Neo Pan is the shizzy too...don't get any grainier than that.
My favorite films are all B&W. Ilford HP5 400 ISO, Agfa Pan F 50 ISO, Kodak T-Max 100 ISO, and even push-processed Tri-X 400 has its place.
For color, I used to really like Kodak Supra 100 negative and Fuji anything for chromes, depending on the desired effect.
I still haven't cross-processed E6 in C41 chemicals or vise versa. Someday... if I ever buy another film body.
I'm at almost 20,000 frames with my Canon D60 without a single failure. I've shot on a friend's 10D a little bit, and it is definitely a better body. It improves upon the general clunkiness that the D60 suffers from. Also -- and this is sort of a pet peeve of mine -- the shutter firing sounds better on the 10D than the D60. I'm not sure what they did, but it sounds better. My favorite is still the sound of a Nikon F4, and it probably always will be.
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un-Touch'd krew
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From: My own level of hell
Originally Posted by benjamin
Try some Tri-X 400 pushed out to 6400... its grainier. =)
My favorite films are all B&W. Ilford HP5 400 ISO, Agfa Pan F 50 ISO, Kodak T-Max 100 ISO, and even push-processed Tri-X 400 has its place.
For color, I used to really like Kodak Supra 100 negative and Fuji anything for chromes, depending on the desired effect.
I still haven't cross-processed E6 in C41 chemicals or vise versa. Someday... if I ever buy another film body.
I'm at almost 20,000 frames with my Canon D60 without a single failure. I've shot on a friend's 10D a little bit, and it is definitely a better body. It improves upon the general clunkiness that the D60 suffers from. Also -- and this is sort of a pet peeve of mine -- the shutter firing sounds better on the 10D than the D60. I'm not sure what they did, but it sounds better. My favorite is still the sound of a Nikon F4, and it probably always will be.
My favorite films are all B&W. Ilford HP5 400 ISO, Agfa Pan F 50 ISO, Kodak T-Max 100 ISO, and even push-processed Tri-X 400 has its place.
For color, I used to really like Kodak Supra 100 negative and Fuji anything for chromes, depending on the desired effect.
I still haven't cross-processed E6 in C41 chemicals or vise versa. Someday... if I ever buy another film body.
I'm at almost 20,000 frames with my Canon D60 without a single failure. I've shot on a friend's 10D a little bit, and it is definitely a better body. It improves upon the general clunkiness that the D60 suffers from. Also -- and this is sort of a pet peeve of mine -- the shutter firing sounds better on the 10D than the D60. I'm not sure what they did, but it sounds better. My favorite is still the sound of a Nikon F4, and it probably always will be.
Yeah pushing is one way to do it but I am talking stock for stock there is no granier film out the box. Personally I have taken Neo 1600 and pushed to 3200 and it made for some seriously heavy grain, almost too much.
I will stand by the idea that Fuji is far superior to Kodak. As for Ilford....I love that film because of its smooth qualitiy, too bad they may be goling under
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"I'll keep my money, guns and freedom. You can keep the "Change."
"I'll keep my money, guns and freedom. You can keep the "Change."